Tuesday, May 27, 2008

OK, it's time

I want to start posting in this blog again, but before I feel OK doing that I need to rename it. Please help?

Saturday, January 12, 2008

The Evolution of Dimensions

At dinner today, someone brought up string theory and how mathematicians/physicists think humans possess a major cognitive deficit because of their inability to grasp multiple dimensions.

This provoked me to remark that Luhmann would predict the constitutive reduction of experience to three dimensions to be an constitutive simplification, necessary to eventually open back out again to more dimensions. I speculated that perhaps humans would be able to, in the future, start representing more dimensions to themselves as they worked their way back up the complexity gradient of the system-environment boundary.

Upon reflection (in the shower, just now) Luhmann is even more right than I thought. We can also understand what I'm about to talk about in the topological/physiological/Deleuzian terms of symmetry-breaking transitions.

Life originates, functionally, not with three dimensions, but with one. A surface membrane distinguishes it from its environment and operates with homogenized rules with respect to the outside. (If we want to be precise, we could say that the origins of life lie in the transition from zero to one dimensions... the difference between any molecule and a molecule that complicates the relationship with itself.)

Gradually, the dimensions we think of as the standard three evolve as the organism evolves the power/need to break symmetries. E.g., the difference between air and water, greater or lesser pressure, on the ground or in the burrow, in the trees or on the savanna.

Ability to interact with the time dimension also grows gradually, as the passive syntheses of time enable more and more modes of engaging in an active synthesis. Expectations, memories, history, history books, the stock market... etc. Treating time as a fourth dimension reveals that experiencing the world in terms of dimensions is hardly a binary affair; we experience them through articulation.

I would argue that humanity has only relatively recently been able to operate in a fifth dimension of counter-factual space times--time branching off at the point of decisions. It is at a unique point in human developmental history that Borges can write "The Garden of Forking Paths."

At this point, though, it becomes quite unclear what the difference between a natural and a constructed dimension is. Constructed virtual spaces create relationships that have to come to produce meaning back in our familiar dimensions, but we cannot identify them with the other dimensions which we treat as natural/physical laws.

In conclusion, I didn't really plan a conclusion or endpoint when I decided to write this thing. I mean, I literally just got out of the shower. So... basically, it seems like physics would be an interesting thing to learn about. Probably no physicists read my blog, right? Probably no one reads my blog. OK. Bye.

Wednesday, January 9, 2008

Music Online

After listening to Pandora and last.fm for a while, I've realized that there's a pretty serious distinction in my frame of mind when listening to music I do and don't own. This difference is interesting, because it's becoming less and less important due to internet music... yet also it's highlighted more and more by the prevalence of this music.

To me, the difference really highlights the Adorno "exchange value" argument. I get antsy about music I don't own because I feel less control over it, even though upon reflection I realize that I can have a really enjoyable experience (probably more enjoyable) simply listening to the things that come over my stream.

Hopefully, continuing to listen to last.fm a lot will revise my relationship to the music itself; make me more open to the uniqueness and contingency of the listening experienced, as opposed to a little bit neurotic about managing my collection of music and my style of listening to it. To those of you that don't listen to aleatory streaming music online: do it.